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Rodeo queens revealed Twenty-one years ago a ski bum won the title Miss Hailey Rodeo. For the next two decades, Jules Frazier dedicated her career to photographing this icon of the Wild West. By Megan Thomas.
Dressed to the nines, cowgirl-style, rodeo queens inject a shot of glamour into this rugged American pastime. But behind the veneer Frazier discovered a complex subculture, one she first stumbled across in the Wood River Valley. “It is a tight-knit family who, after generations of ranching and farming and 4-H, have developed a community that is bonded together through the sport and events of rodeo,” said Frazier. “The rodeo queen is the fresh new face of that rodeo. In a present-day nomadic style, the people involved in rodeo travel together all year long, over hundreds of miles. Whatever they are like as individuals, these girls share a passion to be cowgirls, to work with horses and to represent their rodeos the best they can. Beyond their visual nature is a genuine spirit of the rodeo queen, which keeps the West alive.”
“Three weeks after selling my car and putting money on an apartment, a last minute trip to Sun Valley to ski some fresh powder changed everything.” She never made it to New York. Once the snows had receded, Frazier’s friend Sarah Thomas discovered a unique cash-earning opportunity at Hailey’s Days of the Old West rodeo. A staple since 1947, the Sawtooth Rangers Riding Club-sponsored affair attracts seasoned cowboys and cowgirls to compete in bull riding, barrel racing, calf roping and, of course, the Miss Hailey Rodeo/Days of the Old West Rodeo Queen contest. With stunt riding as well as financial ambitions, Thomas entered the amateur bull-riding contest, and dared Frazier to enter the rodeo queen competition. “I had never been to a rodeo; I didn’t know anything about rodeo history, but I loved anything that had to do with horses.”
In the weeks following her crowning, she embraced the Miss Hailey Rodeo fashion requirements and lived the life of a rodeo queen, a yearlong commitment that required her to promote the Hailey Rodeo across the region. “Miss Rodeo Idaho at the time had custom-made suits, so I scrounged around in every thrift store!” Frazier customized her tight polyester finds with fringe, lamé, western yokes and glitter-sprayed boots. The homemade attire carried Frazier to the state event in Twin Falls, where she “failed miserably.” It started out well enough. The competition called for a fashion show. “My first outfit was of aqua lamé with a white fringe prairie shirt and skirt ensemble, and I finished with an Elvis-like hot pink polyester suit. The judges comments were very good about my appearance, especially my hair.” But it was her rodeo trivia knowledge, or lack thereof, that let her down. “When they asked me to describe the Idaho state flag, I had no idea. I had only been living in Idaho as a ski bum.” To add insult to injury, her horsemanship skills were severely hampered. “My borrowed horse was either drugged or too tired … and I ended up riding into the arena backwards.”
In 1986, she left the Wood River Valley and returned to Seattle, where she pursued a successful career in commercial photography. But visions of those dazzling queens remained in her mind and, in her free time, Frazier logged more than 50,000 miles in her ’61 Plymouth Belvedere visiting rodeos, ranches and homes. Sleeping in less-than-cozy accommodations, such as horse paddocks, bad motel rooms and dusty, hot tents in dirt parking lots, Frazier got up close and personal with the world of the rodeo queen. She discovered that the queens possess poise, sincerity, intelligence and dedication. They are well-spoken, active in the community and, most importantly, immensely able to handle a horse.
“I hope people take away the spirit of the West from my work. It still lives on. It’s a way of life for a lot of people. It represents a part of America people really don’t see.”
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